Malvin M. Franklin

Malvin Maurice Franklin (August 24, 1889 to July 9, 1981)
Compositions
1908 Magpie Rag Hot Chocolate [1] 1909 The Lobster Glide The Midnight Whirl [2] You're Getting Better Looking Every Day [3] Come Take a Dip in the Deep with Me [3] Curiosity [4] Strolling Through Maiden Lane [4] Great Big Me Wants Little You [5] 1910 The Jingle, Jingle, Jingle of the Money in My Pocket is the Sweetest Music to Me [6] That La-La-Melody [6] I'm a Perfect Lady [7] The Wife Hunters: Musical [8] My Little Havana Made Down at Mammy Jinny's Honeyland In Your Arms: Duet 1912 Love Me Like You Used to Love a Sugar [9] Every Time You'd Do It in a Country Town [9] 1913 The Elephant Rag Oui, Oui, Marie, Oui, Oui [10] All Aboard: Musical [11] All Aboard Good-Bye, Poor Old Manhattan Mister Broadway, U.S.A. Captain Kidd Over the Ocean Ragtime Yodeling Man Tulip Time In My Garden of Eden for Two Love is Just the Same Old Game (My) Cubist Girl Under the China Moon The Wriggley Rag 1914 The Foxy Fox Trot Society's Pet - Half and Half Lulu Fada (Dance) Pele Mele (Ragtime Hesitation Waltz) Modern Dances: Society's Latest Dance Folio Hesitate Me Around, Bill [12] Favorite Moving Picture Folio Grand March Hurry Music Mysterious Burglar Music Chinese or Japanese Music Oriental Music Spanish and Mexican Music Pathetic Music Death Music War Music Call to Arms Bugle Call Battle or Storm Music Hunting Music Gallop Indian Music Church Music Fairy Music 1915 Miserable Rag Lu Lu Fado Favorite Moving Picture Music Folio Vol. 2 Mosha from Nova Scotia [13] Sunny Riviera Bay [13] Tumble in Love, Gee! But I’d Like to Tumble in Love with a Girl Like You [14] 1916 Shades of Night: Intermezzo [2] Shades of Night: Song [2.13] Flirtation Song [15] Pollyanna, Make Me Glad [16] 1917 It's a Peach Welcome Song to Digger Bill and Sailor Jack [2,13] Set Aside Your Tears ('Till the Boys Come Marching Home) [2,13] (What Are You Going to Do) When the Animals are Gone [16] I'm Old Enough for a Little Lovin' [17,18] 1918 Ragtime Mose's Oldtime Bomboshay [19]	1919 Ever Since the Country Went Bone Dry [21,22] A Lonely Romeo: Musical [20] The Candy Jag Don't Do Anything 'Till You Hear from Me Influenza Blues (I Want a) Lonely Romeo Sweets to the Sweet Underneath a Big Umbrella Will o' Wisp [23] Flirtation Fantasies 1920 Dearie: Musical [24] After You're Married A While Dearie, My Dearie Derby Day Following the Hounds I Think So Much of All the Boys In Days of Long Ago Johnny from London Town My Easy Ridin' Man My New Kentucky Home Southern Nights That Linger Longer Look Take a Little Tip from Me 1921 (I Was Born in) Michigan [25] Irene Rosensteen [25] Every Girlie Wants to Be a Sally [25] Deberau [25] Edison Song [25] Happyland [25] 1922 Up On Your Toes [13] When the Lights Go Down in Chinatown [25] 1923 Oh! Those Women [25] 1937 The Merry-Go-Round Ain't Gonna Break Down No More [26] Think Twice Before You Break a Heart [27] 1939 If They'd Only Fight Their Battles with Little Toy Men [28] Good Fellows Polka [29] Rhythm of Romany [29,30] Beuatiful Ulalee [30] Students! What It It? It's Love [31] 1942 Let's Get Behind the Man Behind the Gun [32] We Found Love in a Blackout [32] 1944 Wedding of the Brass [33] 1975 The Baby Song 1. w/Arthur Lange 2. w/Anatol Friedland 3. w/Addison Burkhardt 4. w/Jeff T. Branen 5. w/Edgar Leslie 6. w/Harry S. Burkhardt 7. w/Melville Alexander 8. w/David Kempner 9. w/Ned Moray 10. w/Lew Brown 11. w/E. Ray Goetz 12. w/William Jerome 13. w/L. Wolfe Gilbert 14. w/Wilkie White 15. w/Floyd Gerret 16. w/Thomas J. Gray 17. w/Will Skidmore 18. w/Dave Kaplan 19. w/Gus Van & Joe Schenck 20. w/Robert B. Smith 21. w/Will J. Hart & Edward Moray 22. w/Raymond Walker 23. w/Otis Spencer 24. w/John P. Wilson 25. w/Alex Gerber 26. w/Russ Morgan 27. w/Howard Phillips 28. w/Bill Gaston 29. w/Gloria Franklin 30. w/Alfred Bryan 31. w/Al Gumble & Arthur Terker 32. w/Vincent Lopez & David Berg 33. w/George R. McConnell & Jimmy Miranti
Selected Rollography
1913 International Rag He'd Have to Get Under (Get Out and Get Under Puppchen Waltz I'm Crying Just for You Medley of One Steps No. 1 The Elephant Rag 1914 Won't You Come and Waltz with Me? Down in Chattanooga The Irish Suffragette When You Are In Love The Movie Rag My Arverne Rose 1917 Leave It to Jane [1] Sally Down Our Alley [1] China, We Owe a Lot to You [1] So Long, Sammy [1] Your Country Needs You Now [1] Hello Wisconsin [1] Somewhere in France is the Lilys [1] Nippon, Land of the Rising Sun [1] Goodbye, That Means You [1] Laddie Boy [1] I'll Take You Back to Italy [1] My Cairo Maid [1] Yock-A-Hilo Town [1] Some Sweet Day [1] So This is Dixie [1] 1918 I'm Old Enough for a Little Lovin' ? La Guapa - (La Jolie) 1. w/Victor Arden	Matrix [Rythmodik B6462] [Autopiano Solostyle B7272] [Rythmodik A7302] [Rythmodik A7672] [Rythmodik D7865] [Herbert 81392] [Rythmodik] [Rythmodik] [Rythmodik] [Rythmodik] [Rythmodik] [Rythmodik] [Rythmodik E18823] [Rythmodik E19073] [Rythmodik G100463] [Rythmodik G100473] [Rythmodik G100483] [Rythmodik G100512] [Rythmodik G100523] [Rythmodik G100563] [Rythmodik G100573] [Rythmodik G100583] [Rythmodik J100783] [Rythmodik G100793] [Rythmodik G100813] [Rythmodik G100823] [Rythmodik G100844] [Rythmodik] [Stoddard Ampico 3827]

Malvin M. Franklin was born to German father Richard Franklin, a commercial salesman, and his Pennsylvania born wife Rosa Pollock in Atlanta, Georgia. A younger brother, Raymond, was born when Mal was four. The family moved to Anniston, Alabama where he had some of his primary schooling. His first piano teacher there was Carl Schmidt. The Franklins moved again to Cairo, Illinois, on the banks of the Mississippi River, in 1901. For many years his father worked in the mail order liquor business.

One of the first bands Malvin played in was formed by a metaphorical doppelganger of the mythical Professor Harold Hill of The Music Man fame. hot chocolate cover

Fred Culver was a cigar maker who came to Cairo and offered to put together a boy's band. According to Franklin:

Everybody wanted in. What a mad scramble to find instruments. Every hock shop and store as far as St. Louis was cleaned out. I beat the gang to Wunderlich's barber shop and for five bucks came up with a rusty cornet which hung on the wall. Our first practice session was held over Swoboda's saloon uptown and forty fellows attended. Many, of course, dropped out later. I believe I was the only one with a previous knowledge of music but in a short time Culver had whipped us into a pretty good band."

Already musically inclined and experienced, Malvin took up piano again in High School with Nellie Louvenia Hall, then in Chicago with Edna Gochel at the Ziegfeld College of Music run by the father of the famed New York theater entrepreneur, Florenze Ziegfeld, Jr. By 1908, Mal had moved in with his maternal grandparents, Henry and Angeline Pollack, in the Bronx, New York, where he would spend much of the rest of his life. His first piano rags were published that same year in New York by Joseph W. Stern, including his popular Hot Chocolate Rag. Mal continued his education at the National Conservatory of Music on a scholarship, taking piano performance from Raphael Josephy and harmony and theory from Frank Sudler.

The 1910 enumeration was the first time Malvin listed himself as a pianist at age 21. However, he apparently had already done some writing as well. According to an article on composer Anatol Friedland, who was just a couple of years older, in the The Music Trade Review of September 17, 1910: elephant rag cover

"Malvin Franklin, a former [and continuing] collaborator of Mr. Friedland's in the Trebuhs days, is at work on the music of the musical comedy in which Bud Fisher's 'Mutt and Jeff' will be represented." Along with Friedland and lyricists Edgar Allen Woolf and David Kempner, Franklin had contributed to the musical comedy The Wife Hunters, which was given a boost by its dynamic star, singer Emma Carus. Malvin also started turning out ragtime compositions and popular songs at this time, including some fast-paced pieces like Hot Chocolate, the lumbering Elephant Rag, and the peppy Lobster Glide, the latter becoming a popular dance number.

In 1913 Mal started recording and arranging a number of piano rolls, many for the Rythmodik Company, although several of them were never credited to him, as was often the case. He reportedly was the first pianist to record Alexander's Ragtime Band onto a roll. A notice in the September 13, 1913, edition of The Music Trade Review read as follows:

The music roll department of the American Piano Co. has just issued a special folder to introduce six new Rythmodik record music rolls played by Malvin M. Franklin. These rolls will be ready for the trade on September 15, and judging from the advance orders already received from all parts of the country, these new Franklin rolls are destined to score a marked success.

It was said in his obituary that he was responsible for producing "thousands of rolls," but perhaps a quantity in the hundreds would be more accurate. In 1914 Franklin self-published a small folio with dance tunes and specific instructions for certain steps, including the half and half (3/4-2/4) dance. selection from 'A Lonely Romeo' cover

That same year he became one of the 90 charter members of ASCAP. In 1964 Franklin would be honored again as one of the few surviving members of that original group in a ceremony in New York City.

Mal's inherent talents secured him a staff composer position with publisher Theodore Morse in 1914. The origin of one Franklin's pieces, and perhaps his acquisition of the position, made it into a column in The Music Trade News of April 11, 1914, as follows:

Some songs, especially those of the popular variety, have been written under particularly interesting and peculiar circumstances, and among them is to be included the new waltz song, 'Hesitate Me Around, Bill.' According to the story, William Jerome, the well-known and successful lyric writer, visited the offices of the Theodore Morse Music Co. for the purpose of keeping an appointment, and while there heard Malvin M. Franklin, a young musical comedy composer, playing over a waltz from one of his new scores. Mr. Jerome was impressed with the possibilities of the number, and although not acquainted with Mr. Franklin, persuaded the latter to permit him to collaborate in supplying the lyrics for the piece. The pair got together and the complete song is said to have been completed within ten minutes. William Schultz, the arranger, then took the number and had it ready for the hands of the printer the next day. Just a case of hitting while the iron is hot.

A follow-up article noted that:

The Theodore Morse Music Co. feels that it has a real 'find' in Malvin Franklin, who recently joined the company's staff of composers and whose first effort under the Morse signature, 'Hesitate Me Around Bill,' has been particularly well received by the profession and the trade."

Oddly enough Franklin did appear to have an alternate line of work, and on his 1917 draft card (no mistake that it is his) he lists himself as a salesman for the Union Thermometer Company, selling surgical instruments to doctors and hospitals. i was born in michigan cover

This evidently did not interfere with his musical creativity, as Mal had already written one of the earliest music folios for film pianists and small ensembles. He additionally contributed to some musicals being put together by Anatol Friedland and L. Wolfe Gilbert, including The Wife Hunters, making him somewhat of a fixture on Broadway. Franklin co-wrote the musical comedy A Lonely Romeo in 1919 with Robert Hood Bowers, Robert B. Smith and Lew Fields, which also featured early work by Richard Rodgers and Lorenz Hart. It was well received by Theater Magazine in July 1919, with special mention given to Franklin and his writing partner Bowers for the "simple and harmonious" score. Another Franklin success included songs composed with the famed vaudeville team of Gus Van and Joe Schenck who would later introduce the song Ain't We Got Fun. Franklin also started writing ad-hoc instrumental scores for silent films which were performed at select theaters.

Ever a busy performer in addition to his arranging and composition tasks, Mal also worked as an Artist and Repertoire (A&R) man for Columbia Records, recording some sides of his own playing as well, including A Bag of Rags with Wilbur C. Sweatman in 1916, and as an accompanist for all varieties of singers on various sized records of the Emerson label throughout the mid to late 1910s. In 1918 Malvin was married to Caroline Weinstein. He was misidentified for the 1920 census as "Raymond Franklin," but residing with his wife Caroline, and the correct birth and heritage demographics, as well as still working for Union Thermometer, so there is no question of identity. There was also a daughter named Lenore J. born in March 1918, before they were legally married, but she may not have survived beyond the next year or two, having not been enumerated at any future dates.

In July 1920 it was announced that Maurice had signed a new contract with M. Witmark and Sons as his exclusive publishing outlet. According to The Music Trade Review of July 3, 1920:

A big popular song-hit published a year or so ago was 'Shades of Night,' for which Mr. Franklin was partly responsible, and he has met with success in his compositions for many and varied vaudeville acts. It is not merely as a writer of music that he has made a name, for Mr. Franklin has a reputation not only as conductor in the making of phonograph records, but also as a maker of player piano rolls... He is a decided acquisition to the Witmark staff of versatile writers.

The 1925 New York census again misnamed Mal with the misspelling of Marvin, shown living with his Bronx in-laws, the Weinsteins, and working as a music composer. As for Gloria, she inherited some of her father's talent, and by five was already playing several instruments. At age 12 in 1936, Gloria was part of the cast of Billy Rose's Jumbo on stage. She had later successes as well on Broadway and in assorted film musicals. Among the bands she played saxophone with were those of Ray Noble, Vincent Lopez, and Hal Kemp, the latter for which future honky-tonk recording star Lou Busch played piano.

Mal playing for the West 75th Street Block Association in the early 1970s.

In addition, some sound recordings still exist of Gloria accompanied by her father with the Harry Harden Orchestra on Decca Records. Malvin, however, continued to work in sidelines that he declared as his living, and in 1930 was shown as a sales manager for what may be a furniture outlet, a less than depression-proof occupation, but perhaps more reliable than music. Still, he never left music entirely. Given his connection to the furniture business, he was likely relocated to North Carolina during part of the 1930s, as that is where his Social Security number was issued. However, he was back in Manhattan by 1939.

Mal published some books on songwriting around this time including Malvin M. Franklin's Magical Melody Charts (The Automatic Songwriter) in 1940 and Practical Song Writing (in two volumes) a year later, both of which sold well to composers of all abilities. In 1942, and likely before, Franklin was employed by ASCAP at 30 Rockefeller Plaza in Manhattan, but his address was in Culver City, California. His mother Rose died on August 21, 1943, then Caroline died in 1946 after which he returned to New York for a time. In the 1940s Franklin was also employed regularly at Bill's Gay Nineties where pianist Mike Bernard had appeared in the previous decade, likely performing some of his own ragtime era rags and songs. Mal often accompanied Bill's wife, an opera singer, on radio broadcasts. He continued to compose as well, contributing background music for New York-based films and radio shows into the 1950s. While not found in the 1950 census, a 1949 directory listing in Manhattan showed him living on West 75th.

Never too far from musical activity, Franklin was inducted into the Songwriter's Hall of Fame in 1970. He also did work with charities and performed for parties throughout Manhattan, one of those being the West 75th Street Block Association that mentions him playing for some of their events. There is a high probability that he lived in Venice, California for a while, likely in the mid-1970s and as late as 1980, as he received some government benefits there. While in California he contributed one final song to his catalog included in a 1975 MGM promotional film, The Lion Roars Again (currently available on the extras disc in the That's Entertainment box set). It was The Baby Song performed by his friend, comedian George Burns, who was just starting a second career in movies after having taken time off following the death of his wife Gracie Allen. The piece was very well received at the premiere. Malvin died back in New York City in July 1981 at the age of nearly 92. Mr. Franklin left behind a vast legacy of music which will likely never all be accounted for, but affected many people with smiles or tears at some point.

Thanks go to performer Todd Robbins for additional information concerning Mal in the 1930s and 1940s.